You know there’s a problem when the author has to explain himself on the first page of the book. After the dedication, itself a tome (31 names!), in what he titles a “cavil,” an obscure word meaning “trivial objection,” he nearly apologizes for what he’s about to do: give you virtual whiplash by taking you backward then forward in time and into parallel universes. Off you go, don’t get lost! Continue reading
Here’s the issue: Amazon wanted to set ebook prices on its website; Hachette wanted to set them itself. In a version of single combat worthy of Game of Thrones, Amazon landed the first blows when it pulled features such as overnight delivery of Hachette books. Not for the first time, Amazon used its market power to pressure a supplier to sell on best terms. Hachette took the rare step of publicly crying foul, and pursued a boxing-like jab-jab-jab strategy to wear down its opponent. Meanwhile, it egged on a loud chorus of ringside authors in an attempt to shame the champion into lowering its guard, leaving it open to a knock-him-on-his-arse blow. Continue reading
As father of two daughters, I’m a sucker for the film’s central relationship, that of test-pilot-turned-farmer Cooper, played by mumble-mouthed Matthew McConaughey, with his genius daughter Murphy, played by three different actors of various ages, most effectively by young McKenzie Foy. They live on a flat, dry, blight-ravaged landscape where ecological disaster has overtaken humanity’s ability to adapt. Climate change is the unspoken villain, though the emergency is scientifically non-sensical (“Earth is running out of oxygen!”). The most alarming aspect of this world is hopelessness, a sense that the land is finally wreaking its revenge on its human exploiters and there’s not a damn thing they can do about it. Continue reading
Hollywood embraced global warming as a theme only recently. Young Ones, released on October 9, posits a future with little fresh water, and Into the Storm, which opened August 8, shows a small town devastated by a series of climate-driven super-tornadoes. Science fiction writers, however, have imagined a climate-ravaged world since the early 1960s. One of the most prescient early books is George Turner’s The Sea and Summer, published in 1987. His vision of an Australia flooded by rising seas is echoed by Paolo Bacigalupi’s Bangkok in his 2010 novel The Windup Girl. The Thai capital is kept alive by dikes and gates reminiscent of the Thames Barrier in London. Continue reading
For the midlist author or the writer rejected by the legacy world, Amazon and its cousins in the self-publishing universe are a godsend. I’m a case in point. Proposals for my first book, a history of an important Seattle-area fishing schooner, were turned down by more than a dozen traditional publishers, including several that specialize in stories from the Pacific Northwest. One editor said too few people would buy the book to justify the risk. That makes perfect sense: Maritime history is a niche market, publishing is a risky business, and a press needs to break even on its investments at least. A generation ago, the project would have ended there. In the 21st century, the self-publishing world made possible my small contribution to local history. The book is now available in Seattle-area public libraries and for purchase online. Since then, I’ve published other books through Amazon or its companies in this way. For me, Amazon is my friend. Continue reading
Could it be that dystopia’s opposite–utopia–is simply boring?
Today’s complaints about dystopian stories originate with the movie made from the novel the Hunger Games, about a young woman who challenges an autocratic society that oppresses weaker communities with a blood sport. It’s really a classic “us-against-the-world” teen rebellion story, but the environment is dystopian, so it gets mentioned in the same breath as 1984, a gross injustice to George Orwell. Continue reading
Ellis’ imagined future may be happening right now. Economists say that we may have found all the oil that’s economically feasible to extract. From this moment of “peak oil” forward, further extraction costs more and more money. Production falls sharply, disrupting advanced economies. Natalie and Richard, a Vancouver, BC power couple before the peak, move with a select group of friends to a isolated farm in the British Columbia interior. Over the next few years, society collapses around them, and when we meet the couple and their tiny, self-sufficient community, slaving gangs roam the empty roads and overgrown countryside attacking isolated homes and towns. The farm’s inmates greet each stranger with suspicion, and guns settle arguments as often as words. Continue reading