Five Questions: D.F. Lovett, author of The Moonborn

The Moonborn cover

The Moonborn is the debut novel by D.F. Lovett.

I’m excited to welcome to Five Questions Minneapolis-based author D.F. Lovett, who released his debut sci-fi novel, The Moonborn, in 2016. David the head editor and writer for the blog What Would Bale Do, and he writes the acclaimed Reddit novelty account /u/DiscussionQuestions. He has also collaborated on several film projects with the production studio Corridor Digital.

The Moonborn is the story of Ishmael, who lands on the Moon to ghostwrite the autobiography of Adam Moonborn, first man born on the Moon. Ishmael soon learns the job is not as straightforward as it seems. In an adventure tale inspired by Herman Melville’s Moby-Dick, they embark on a mission to destroy all of the Moon’s rogue robots, whom Adam Moonborn holds responsible for the death of his family and the impending downfall of civilization.

Here are the author’s answers to my Five Questions.

Do you remember the first character you created? Tell me about him/her/it. Not specifically, but it would probably be the personality assigned to one of my action figures. For most of my childhood, a lot of the writing I did was inspired by stories that my brother and I first invented with Star Wars and G. I. Joe action figures. I know this isn’t very specific, but a lot of those characters blended together or would evolve over time.

D.F. Lovett

D.F. Lovett

How did you feel when you saw your work in print / electronic form for the first time? The same way I feel now: a mixture of pride, excitement, and self-consciousness. I wrote for the junior high newspaper in seventh grade, which was the first time I encountered the frustration of an editor changing my words. I remember specifically some negative criticism I got from a classmate over a review I wrote of The Phantom Menace where I referred to Jar Jar Binks as an “alien.” My classmate told me that was incorrect, as most of the movie takes place on his home planet, so he’s not an alien. I guess that got me started early at learning how to respond to criticism, although it frustrated me at the time. I think I have a thicker skin now because of it. Continue reading

How would King Arthur’s knights cope with a climate-changed world?

King Arthur painting

James Archer painted The Death of Arthur in 1861. King Arthur lays mortally wounded after his final battle. He waits for a ship to take him to the Isle of Avalon.

My wife and I drove from Seattle to Powell’s Books in Portland a couple of weeks ago to satisfy an itch. At this point, I’ve written three novels and eight shorts in the world of Carbon Run, but the project has run its course. Is there another way to explore the idea of a post-global warming world in which protecting the environment is the society’s single most important value?

For a variety of reasons, my mind turned to fantasy, which is odd, because I’ve never been attracted to epic fantasy, or high fantasy. I found Tolkien too dense and I shrugged at most other dragons-and-magic stories. Having said that, I enjoyed the early novels in George RR Martin’s Song of Ice and Fire series (HBO’s “Game of Thrones”). He plays down the wand-waving and flying lizards shtick in favor of character development and relationships.

This led to a realization: I do enjoy at least one fantasy tradition: the Arthurian legends. It’s easy to forget that these romances were the literary fiction of the High Middle Ages, and they’re full of magic objects, fabulous beasts, and so on. The stories of King Arthur are as much about greed, lust, pride, loyalty, bravery, and family drama as they are about enchantments and floating castles. Merlin, as an archetype, gets a lot of play in modern fantasy, but his role is relatively limited, though important, in the Arthurian stories. I like that. Continue reading

Five Questions: Sabrina Chase, author of the Argonauts of Space series

One Blood cover

Cover image for One Blood, the second book of the Argonauts of Space series.

I’d like to introduce you to Sabrina Chase, a Seattle author whom I met through one of my writers groups. She gave a fascinating talk about how to successfully publish as an independent. It can be very rewarding, but it’s a lot of work, she says. Sabrina is the author of the Argonauts of Space series, including The Scent of Metal, One Blood, and the upcoming Soul Code.

Do you remember the first character you created? Tell me about him/her/it.
I’ve been writing since I was 13, so I’m afraid I don’t remember.

Sabrina Chase

Sabrina Chase

How did you feel when you saw your work in print / electronic form for the first time?
One thing about being an indie writer is you are elbow-deep in the sausage making from the beginning to the end, so it was more of a “oh good, that step is finished” rather than a shock of revelation. It wasn’t “real” to me until I got my first non-family reviews…

What is your favorite piece of advice for new writers?
There is no royal road, no matter how talented you are (or aren’t) and areas of talent vary. Every successful person had to work hard at *something.* Don’t envy the “overnight successes;” they often have twenty years of hard work before that success that aren’t mentioned in the press release.

One thing about being an indie writer is you are elbow-deep in the sausage making.

If you were queen, what would you change about the publishing world?
I would really like to have translation exchanges so I could get my books out in different languages. (Indie already has changed the publishing world!)

What is your next project? Timeline?
I am currently writing Soul Code, the third and final book in the Argonauts of Space series. I hope to have it published by the end of 2017.

Bonus question: If you could reincarnate as another writer, living or dead, who would it be?
Terry Pratchett, a wonderful, funny writer who left us too soon. The beard would take a little getting used to, though.

I’m welcoming more authors to my Five Questions series. To learn more, check out my Promote Your Book page.

Author Mem Fox and Donald Trump’s chilling of America

Mem Fox reads to kids

Author Mem Fox reads to her audience. Image courtesy Adelaide Advertiser.

The recent mistreatment of Australian author Mem Fox by US Customs and Border Patrol heralds a little-discussed effect of President Trump’s plan to shut the door on immigration. Her detention by CBP could have a chilling effect on the cross-fertilization of ideas that makes open societies so powerful. As Trump attacks illegal immigration, he is sending a message that any visitor is suspect, and Fox’s experience underlines the argument.

In February, Fox was en route to Milwaukee to attend a conference on literacy, tolerance, and inclusion. Fox is the author of numerous children’s books, including Ten Little Fingers, Ten Little Toes, and Possum Magic. At the airport, she was detained for two hours by CBP on a visa problem, which turned out to be the CBP’s error. She has visited the US 117 times.

“In that moment I loathed America,” she says. “This is not the way to win friends.”

America is proud of its history of openness to new ideas from the outside. That’s part of our heritage of welcoming immigrants, because they bring new energy and approaches that enrich us, figuratively and literally. The country also welcomes visiting artists and writers for the same reason, in hopes that cross-cultural fertilization raises everyone up. During the Cold War, despite the hostility, the Soviet Union and the U.S. each sent ambassadors in the form of writers, symphonies, dance companies, and visual artists in the interests of peace. It took the edge off the mutual suspicion.

If I were stopped at the border, how I would prove I was a writer? Compose a sequel to War and Peace?

Which artists and writers will now think twice about visiting, given Fox’s experience, and the Trump Administration’s tone? Engineers may already be thinking about staying away. A Nigerian engineer was stopped at the border and told to prove his expertise by taking a test. If I were stopped, how I would prove I was a writer? Compose a sequel to War and Peace?

In effect, every visitor is an ambassador, and there are signs they are going elsewhere. According to travel industry figures, searches for on flights to major US tourist attractions are down by nearly half. Not only does the country suffer intellectually, these drops have a major economic impact on tourism-dependent communities. The industry says the “Trump slump” has cost $185 million in business.

America is in danger of losing its reputation as a welcoming light to all peoples, whether to stay or to visit. Some want us to close our doors to the stranger. If they win, we’ll all be the poorer.

What do you think? How will we maintain our reputation for openness?

Five Questions: Aaron Ward, author of Upriver, Downriver

Upriver, Downriver cover

Upriver, Downriver, by Aaron Ward

I’d like to introduce Aaron Ward, a debut author who has independently published Upriver, Downriver, described by one Amazon reviewer like this: “The phrase ‘coming of age’ is slapped onto so many lukewarm portrayals of growing up these days, but this story nails it.” Aaron kindly answered all of my “Five Questions,” which is a series of interviews with self-published and traditionally published science fiction and fantasy authors. If you’re a published author, and you’d like to participate, learn the details on my blog’s Promote Your Book page.

1. Do you remember the first character you created? Tell me about him/her/it.

Aaron Ward

Aaron Ward

I don’t know if it was my first, but I remember writing a short story in high school, and I believe the main character’s name was ‘Dan Hauser.’ Dan was a cop, and the story involved him coming home and being attacked by a monster of some kind. It was a big hit at the time.

2. How did you feel when you saw your work in print / electronic form for the first time?

I don’t think I felt anything too extreme. I was a little excited and a little nervous. It was self-publishing and I didn’t know much about marketing, so I knew I would be flinging the book out into the void more than anything. Continue reading

Robert A. Heinlein’s Starship Troopers and the veneration of veterans

Starship Troopers still image

Starship Troopers elevates military veterans to demi-god status.

The election and inauguration of Donald Trump has left-leaning book lovers scrambling for analogous stories in fiction. Most have cited George Orwell’s 1984 or Aldous Huxley’s Brave New World, both dystopian novels. A few have pointed to Robert A. Heinlein’s science fiction novel Starship Troopers, because of long-standing criticisms of what some believe is its fascist politics.

The 1959 novel, which won the prestigious Hugo Award and made into a 1997 movie, tells the story of Juan “Johnnie” Rico, a ne’er-do-well teenager who finds meaning and belonging in the “Mobile Infantry.” He goes off to fight in an interstellar war against the Arachnid creatures from the planet Klendathu. Rico goes from raw recruit to experienced sergeant to field-tested officer participating in a crucial battle to defeat the “bugs” and save Earth.

In Heinlein’s world, the combat veteran is the civic god incarnate.

The charges of fascism relate to the dominance of earth by a militarized government that places enormous prestige and civil power in the hands of military veterans. In Heinlein’s world, the combat veteran is the civic god incarnate. Only people who fought and bled understand the true meaning of freedom and the necessity of the voting franchise to sustain the public good, not just private interest. Continue reading

Five Questions: Kevin D. Aslan, author of Encore

Encore cover image

Author Kevin D. Aslan is serializing his first novel, Encore.

I’d like to introduce Kevin D. Aslan, a debut author who is self-publishing his fantasy novel Encore as a serial. Encore follows Leo Melikian, a smart but naïve 25-year old in the south of France who discovers he’s suddenly living each day twice: Monday followed by Monday, Tuesday by Tuesday, and so on. Kevin agreed to participate in my occasional series of posts under the heading “Five Questions.” Thank you, Kevin! If you have any extra questions for Kevin, post them in the comments section below.

Do you remember the first character you created? Tell me about him/her/it.

It was a dueling squirrel called Keil, who was leading a rag-tag group defending their land against an army of beetles. I was 10 and heavily influenced by the Redwall series. I never did finish that book, although I wrote over a hundred (mostly unreadable) pages. But I ended up connecting with him so much that I used his name as my online handle for years afterwards. Continue reading

Overheated: A weak narrative undercuts the urgency of climate change

Overheated cover

Overheated: The Human Cost of Climate Change

Climate change is one of the most difficult subjects to tackle, and I admire any writer who attempts it. Though the reality of climate change is not in doubt—repeat, NOT in doubt—so much of its impact is speculative. Scientists can predict the rise of sea levels, the melting of Arctic and Antarctic ice, more powerful hurricanes, and so on, but no one can say with certainty how these will affect humanity in any detail.

In Overheated: The Human Cost of Climate Change, Andrew Guzman takes his best shot. The University of California, Berkeley law professor tries to show how global warming will change the lives of practically everyone on the planet. Clearly worried about the power of denialists, led by President Donald Trump (though the book was written before his election), he answers each of the counter-arguments with unassailable rigor. If this were an argument before a judge and jury, he’d win going away.

Unfortunately, that’s the problem with this 2013 book, and many books like it. With a couple of notable exceptions, he offers few anecdotes or detailed speculations on climate change effects you and I might experience. The best story concerns the Chacaltaya Glacier, which disappeared from a Bolivian mountain in 2009. He also offers an alarming scenario involving disputes over water between two nuclear powers: India and Pakistan. Beyond these, however, much of the future impact of warming is theoretical. Writing about the potential for water wars, he says, “[C]limate change threatens to magnify existing risks, perhaps making the difference between an uncomfortable peace and a shooting war.” It’s hard for average folks to get excited about these unseen margins. Continue reading

For me, 2017 will be the Year of the Contest

trophies

A few of my writing trophies, layers of dust and all.

I’ve been writing professionally for thirty years, and I’ve tended to see entering contests and competitions as a chore. I’m not sure why, except that I’ve never liked competing against other people, preferring to compete against myself. I like to push myself on and on, to see if I can beat my last personal best. That said, I enjoy winning and the recognition that comes with it. I’ve won a few prizes and have a small shelf of trophies from my journalism days.

2007 was the last year I took home a trophy from a writing competition, when I won a local award for my book on the history of the schooner Wawona. Sometime in the distant past, maybe during the 1980s, I believe I won a short fiction competition based in Oregon, but I can’t find the documentation. I may have imagined it.

I started taking fiction seriously around 2008, when I began work on Carbon Run. I focused almost exclusively on finishing the novel and the subsequent novels, City of Ice and Dreams, and Restoration. I completed the latter manuscript a few weeks ago, and I’ve been focused on writing short stories set in the Carbon Run world, with an eye toward publication in sci-fi magazines as a way to get some visibility, should the novels ever be published.

I enjoy winning and the recognition that comes with it.

In the course of research magazine markets, I ran across fiction contests, both literary and genre-based. In a couple of cases, one or two of my Carbon Run stories seem a perfect fit. Contests these days are much easier to enter. Before email, you had to send in several printed copies of contest entries, which cost time and money. I no longer had the excuse of calling contests a chore, when all you have to do is send an email or upload the entry to a website after filling in an online form.

With my lame excuse gone, I put together a spreadsheet of likely contests and competitions, especially focused on Carbon Run. Many contests are free or have a relatively low submission fee, between $10 and $30. As long as I maintain spending discipline, I should be able to enter one paid contest a month and as many free contests as I can find.

If I’m lucky, 2017 will be the Year of the Contest for me. I could earn recognition, a small cash prize or two, and most importantly, some street credibility in the speculative fiction and publishing community. Perhaps a win or two might help me push through the wall of indifference among literary agents, or the disinterest (so far; I still have a couple of manuscripts out) of presses, big and small. I’m crossing my fingers. I have nothing to lose.

Have you entered a contest recently? Tell me about it in the comments.

Free Flash Fiction: Drizella, Cinderella’s Stepsister: My Story

Drizella and Anastaisa

Drizella, wearing pink, and her sister Anastasia gossip about Cinderella. Image courtesy Walt Disney Co.

Today’s post is free flash fiction by guest blogger Edith Follansbee.

I’m so infuriated by my mother. Why is she non-supportive of my feelings? I have told her so many times, I don’t want to go to the prince’s birthday party. I have made a fuss about the dress and the shoes and everything else that you MUST do to get ready. I hate the dress and the shoes. You can hardy call them shoes; I call them ankle breakers.

Edith Follansbee

Edith Follansbee

The constant criticism of my figure when I go to the dress makers. She is always making negative comments of my curves. What really bugs me is the clicking sound she makes with her mouth very time she has to let out a seam. I can’t help it if God gave me a slow metabolism. I tell her beauty is in the eye of the beholder and I have not found my beholder. Even the dressmaker is non-supportive of my feelings.

The only person that understands how much I abhor fancy dress parties at the castle is Cinderella. She is so kind to me. I know she wants to go so badly, but mother won’t let her. Mother has no feelings for Cinderella. Sometimes I think mother is too narcissistic to find another man that will please her. Her first husband died in mysteries circumstances and her second husband died of overwork. She has no feelings for anyone except herself. Continue reading