I’ve been thrilled with the response to my novelette, The Mother Earth Insurgency. It’s already got a 4.6 rating on Amazon! If you’re curious about the story, here’s the first one thousand words. If you like it, please consider purchasing the ebook for your Kindle. Thank you!
The rubber slug glanced off Nick Sorrows’ cheekbone, gashing the skin deep enough to make a scar certain. It stung, but he welcomed the laceration. The blood infiltrating the stubble on his jaw hid his intent and reduced the chance he might hesitate.
He stumbled forward, eyes on his quarry, a single individual ahead of him in the angry crowd. A surge carried him toward the police cordon, each officers’ truncheon at the ready. He pressed his right hand to his bleeding check and his left hand on the backs and shoulders of other demonstrators to maintain his balance.
He was part of the seething mass, but not with it. He chanted the protest slogans, but he didn’t sing them as a true believer.
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He was part of the seething mass, but not with it. He chanted the protest slogans, but he didn’t sing them as a true believer. Nick was like the nano-bots that stalked free-floating cancer cells in the bloodstream. His target was Jon Janicks. Could he stop Janicks before his insurgents assassinated another green energy investor? Maybe Janicks was after a Great Basin solar farm, or one of the Santa Barbara tidal energy converters. Nick had to know. Continue reading
Here’s the third and the last of my “vaudios,” my author-read stories on the YouTube platform. A War Beyond War, and I Am the Only Soldier was the first (and so far only) fiction story I published in an anthology. It appeared in Satirica: An Anthology of Satirical Speculative Fiction in 2009. It’s not part of my Carbon Run series, so I’ve given the story its own playlist, Weird and Wondrous.
In the 13th century, Dominic de la Traversée is a young monk in a French monastery who undergoes a frightening transformation as he fights for the existence of our perceived universe.
I had some extra fun with Adobe Premiere’s special effects filters, mostly in the beginning of the video. Let me know what you think.
Here’s the second of my YouTube “vaudios,” as I like to call my videos that are really audio stories. Living in Infamy is set in a future when fossil fuels are banned. The captain of a US Navy destroyer, plagued by guilt over a friendly-fire incident, hunts a dangerous carbon smuggler and gets help from a disgraced, dead relative. Carbon Run Stories are a series of short stories in text and audio set in a world wracked by climate change. You can also listen to the story on SoundCloud.
Let me know what you think.
In a future decade when fixing the environment is the world’s top priority, an elderly homeowner must decide whether to fight a citation that might mean the loss of her home.
I’ve been experimenting with alternate ways to present my fiction, and I’ve created what I call a “vaudio.” It’s intended for listening more than viewing, while offering a way for me to reach the huge YouTube audience with something unique. Others have tried an audio track with an image, but what I’ve seen on YouTube uses a single still image.
For Zillah Harmonia, in which roses play a prominent role, I took a brief video of a rose in my neighborhood with my smartphone, downloaded it to my laptop, and combined the video with the MP3 file I built for SoundCloud. Using Adobe Premiere Elements, I added the “facet” special effect to soften the image, slowed the original image down by 75 percent, put in a couple of simple titles, and voilà, a vaudio.
Are you trying anything like this? Let me know what you think of my experiment. I’ll be posting more of these soon.
As I mentioned in a previous post, I wrote two Carbon Run short stories, Zillah Harmonia, and Living in Infamy. I’ve recorded the second story and posted it on SoundCloud. In a future when fossil fuels are banned, the captain of a US Navy destroyer, plagued by guilt over a friendly-fire incident, hunts a dangerous carbon smuggler and gets help from a disgraced, dead relative.
Let me know what you think.
This spring, I took a short story writing class through Hugo House, a Seattle non-profit dedicated to teaching and promoting poetry and literature. I wrote two stories during the eight-week class, and I’ve produced an audio version of one of them, “Zillah Harmonia“. In a future decade when fixing the environment is the world’s top priority, an elderly homeowner must decide whether to fight a citation that might mean the loss of her home. The story is told in the Carbon Run world, which I’ve created in three yet-to-be-published novels. Let me know what you think.
BTW, I’ll publish an audio version of the second story, titled “Living in Infamy,” later this summer.
Audio equipment I use for recording short stories.
I thought I’d share my equipment and software setup for my audio storytelling project to satisfy all the gear heads and hope-to-be sound jockeys embarking on the great audio publishing journey. My gear is fairly minimal for pro-sounding results, but my equipment is not required to put your toe in the water. In the most elemental setup, you can record your voice via your laptop or phone mic and do some basic editing in any number of lightweight editing software packages. But if you want credible, well-crafted sound, upgrading to relatively inexpensive pro equipment is the way to go. Here’s the list, referencing the photo above. You can purchase most, if not all, this equipment in professional audio catalogs, such as Broadcast Supply and Guitar Center, as well as Amazon.
TASCAM DR-40 Linear PCM Recorder ($169) – This is one step up from a basic digital audio recorder marketed to musicians, but excellent for voice recording. The audio is recorded to an MPG or WAV file to an SD card for easy transfer to a work station for editing. I purchased it primarily because of its ability to take XLR connectors from a robust standard microphone cable. Take note of the silvery things at the top. That’s actually a stereo condenser microphone, which is fine for music demos and voice in a very quiet environment. I prefer a different mic, explained later in this post. Continue reading
I’ve been inspired by fellow writers, particularly my friend Ramona Ridgewell, to experiment with making my short stories available online as audio readings. It’s sort of a no-brainer, given my background in radio and skills in audio production, and I’ve been thinking about it for a long time as a way to promote myself and (hopefully) upcoming novels. I’m using the SoundCloud audio distribution service.
My first audio story (the word “audiobook” doesn’t seem to fit) is called “A War Beyond War, And I Am the Only Soldier.” You can download a free PDF version of the story here. Dominic de la Traversée is a young monk in a 13th century French monastery who undergoes a frightening transformation as he fights for the existence of our perceived universe. I wrote the original story in 2007, and it was published in an anthology called Satirica. The music is by Cory Gray, and it’s available at the Free Music Archive.
I’d love to know what you think of this project. I’ve got a couple more stories in my queue. Do you think I should record those as well?
I’ve taken a small break from the novel to write a short. It’s called “Space Porn” (yep, all the spam filters are going to catch that one) and it’s about a teenaged boy who is more interested in deep space objects that pretty girls.
I’m also brushing up on my editing skills by reading Self-Editing for Fiction Writers: How to Edit Yourself into Print, by Renni Browne and Dave King. I try not to buy too many writing books, but this was money well-spent. Very down to earth and practical. No theory to bog you down and the inevitable preachiness is kept in check.