Five Questions: Elizabeth Guizzetti, author of The Grove

Elizabeth Guizzetti author photo

Elizabeth Guizzetti is author of three sci-fi and fantasy novels, including Other Systems and The Grove.

I’m starting a new occasional feature on my blog called Five Questions. I’ll ask an author five interesting questions and post their answers. Check out the answer for the bonus question! My inaugural guest is Elizabeth Guizzetti, a personal friend whom I met through a sci-fi and fantasy writers group in Seattle. Elizabeth loves to write science fiction, horror and fantasy with a bit of social commentary mixed in, not always intentionally. Her 2012 debut novel, Other Systems, was a finalist for the 2016 Canopus Award. Her most recent novel, The Grove, is on sale now.

Do you remember the first character you created? Tell me about him/her/it.

This wasn’t my first character, but the first character I remember was a ten or eleven-year-old girl trying to survive a werewolf apocalypse. I tried to write her tough, my mother said she was kind of rude to the two young men who she was with. (I think they were high schoolers, because at that age, high schoolers are super cool.)

How did you feel when you saw your work in print / electronic form for the first time?

My first published work was Faminelands: The Carp’s Eye which is a self-published graphic novel. It came out in print first and then we started the webcomic. It was (and always is) a roller coaster. It felt wonderful the first time I flipped through it, as well as terrifying. We were making changes up until it had been printing and I had a table at Emerald City Comicon 2008. It was crazy. Those feelings have been just as intense for every book that has gone through the publication process.

I made a video about I feel when holding my book for the first time if anyone wants to check it out on my YouTube Channel. Continue reading

Hey, Tacoma. I’m making a rare appearance at Foss Waterway Seaport!

Lighthouse Guide cover image

I’ll be talking about the Fyddeye Guide to America’s Lighthouses and its companion guide Dec. 10, 2016 at Foss Waterway Seaport in Tacoma.

It’s been years since I’ve made a public appearance, but my friend Wes Wenhardt, the executive director of Foss Waterway Seaport in Tacoma, asked me to give a talk. I’ll be at FWS 12:30 p.m. to 2 p.m., Saturday, December 10. I’ll be speaking about some of my favorite Puget Sound maritime heritage attractions listed in my books.

I’ve published two maritime history guidebooks, The Fyddeye Guide to America’s Maritime History, and The Fyddeye Guide to America’s Lighthouses. I published the books in 2010 and 2012 respectively because no comprehensive, single-volume travel guides existed for U.S. maritime heritage attractions, including maritime museums, tall ships, and lighthouses.

Copies of my books will be available for sale at the presentation. Foss Waterway Seaport’s address is 705 Dock Street in Tacoma. Hope to see you there!

Have you visited Foss Waterway Seaport in Tacoma?

‘Bet’ now at Seattle Public Library; Poll: Change Joe’s name

Bet: Stowaway Daughter cover

Bet: Stowaway Daughter, my self-published novel, is now available for checkout from the Seattle Public Library.

Getting into the local library is one of the biggest challenges for the self-published author. I’ve leapt that hurdle with my one self-published novel, Bet: Stowaway Daughter, which I released as an e-book in 2009. It’s now available for checkout at the Seattle Public Library and the King County Public Library. Download it to your Kindle! (Oh, yeah, you can buy it on Amazon.) To find it at the libary, simply search the catalog on my last name, Follansbee. Here’s the blurb:

During the Great Depression, Lisbet “Bet” Lindstrom is the 13-year-old daughter of a sea captain convicted of theft and sent to prison. Bet is convinced her father is innocent, but she has no way to prove it. Desperate to free her father, she visits his old fishing boat, and spots a horribly scarred sailor who might know the truth about the crime. Ignoring the warnings of her friends, she secretly jumps aboard the ship, and sails to Alaska. She braves huge storms, performs daring rescues and faces the man who threatens everything she loves.

I’m still hoping an agent will pick up Carbon Run, my first science fiction novel. In case no one bites, the manuscript is ready to be self-published. Lately, I’ve been thinking my author name, “Joe Follansbee,” is a bit weak, and there’s evidence that author names without a gender get more traction for certain subjects or content. (Would you buy a Regency romance novel from someone named “Joe?”) I’m conducting a poll, asking what name you prefer. Help me change my name (or not) by picking one of the options below.


Any other thoughts? Let me know.

Hachette may have won the battle, but Amazon will win the war

Medieval joust

Hachette may have unhorsed Amazon, but the game is far from done.

Amazon and Hachette kissed, made up, and walked into the sunset hand-in-hand after their ten-month dispute over ebook pricing. That’s what the spin doctors want you to think when you read the statements issued by each company yesterday and the followup press reports, but it’s impossible to believe that the fires of resentment and future conflict aren’t seething in the c-suites of both companies. Hachette may have won the engagement, but the war is far from over.

Here’s the issue: Amazon wanted to set ebook prices on its website; Hachette wanted to set them itself. In a version of single combat worthy of Game of Thrones, Amazon landed the first blows when it pulled features such as overnight delivery of Hachette books. Not for the first time, Amazon used its market power to pressure a supplier to sell on best terms. Hachette took the rare step of publicly crying foul, and pursued a boxing-like jab-jab-jab strategy to wear down its opponent. Meanwhile, it egged on a loud chorus of ringside authors in an attempt to shame the champion into lowering its guard, leaving it open to a knock-him-on-his-arse blow. Continue reading

I am an author, and Authors United does not speak for me.

Godzilla Mothra art

Amazon vs Hachette = Godzilla vs Mothra. Image courtesy MonsterMovieMusic.

Authors United has pulled a boner. The group of writers who’ve published through Hachette, which is in an ongoing contract dispute with Amazon, sent a letter this week to Amazon’s board of directors demanding it “put an end to the sanctioning of books.” In this case, “sanction” is meant as “discipline” in the way an overlord disciplines a minion. The writers are angry at Amazon’s tactic of slowing sales and delivery of Hachette books as a means to pressure Hachette on the core issue, the price of ebooks. Amazon wants to price ’em low. Hachette wants to price ’em high. Authors United says the tactic has driven down sales “by at least 50 percent and in some cases as much as 90 percent.” A drop in sales means a drop in income for Hachette authors, the group says.

My instinct is to support authors. In the book world, writers are the makers. Publishing could not exist without them. A whole ecosystem of editors, graphic artists, sales and marketing experts, and the bookstore itself (including Amazon), depends on authors sharing their dreams and nightmares. But Authors United has twisted this world into a fantasy. In its letter to Amazon’s board, it casts books as “the unique, quirky creation of a lonely, intense, and often expensive struggle on the part of a single individual” and publishers as providers of “venture capital for ideas.” Authors United romanticizes an industry that has ignored orders of magnitude more writers than it will ever publish. The industry has inflicted far more financial and emotional pain on writers in the past 200 years than Amazon will in the next 200 years. One has only to compare legacy publishers’ pitiful royalty rates to Amazon’s generous rates to see how authors figure in each camp’s mind. Continue reading