Drizella, wearing pink, and her sister Anastasia gossip about Cinderella. Image courtesy Walt Disney Co.
Today’s post is free flash fiction by guest blogger Edith Follansbee.
I’m so infuriated by my mother. Why is she non-supportive of my feelings? I have told her so many times, I don’t want to go to the prince’s birthday party. I have made a fuss about the dress and the shoes and everything else that you MUST do to get ready. I hate the dress and the shoes. You can hardy call them shoes; I call them ankle breakers.
The constant criticism of my figure when I go to the dress makers. She is always making negative comments of my curves. What really bugs me is the clicking sound she makes with her mouth very time she has to let out a seam. I can’t help it if God gave me a slow metabolism. I tell her beauty is in the eye of the beholder and I have not found my beholder. Even the dressmaker is non-supportive of my feelings.
The only person that understands how much I abhor fancy dress parties at the castle is Cinderella. She is so kind to me. I know she wants to go so badly, but mother won’t let her. Mother has no feelings for Cinderella. Sometimes I think mother is too narcissistic to find another man that will please her. Her first husband died in mysteries circumstances and her second husband died of overwork. She has no feelings for anyone except herself. Continue reading
Here’s the third and the last of my “vaudios,” my author-read stories on the YouTube platform. A War Beyond War, and I Am the Only Soldier was the first (and so far only) fiction story I published in an anthology. It appeared in Satirica: An Anthology of Satirical Speculative Fiction in 2009. It’s not part of my Carbon Run series, so I’ve given the story its own playlist, Weird and Wondrous.
In the 13th century, Dominic de la Traversée is a young monk in a French monastery who undergoes a frightening transformation as he fights for the existence of our perceived universe.
I had some extra fun with Adobe Premiere’s special effects filters, mostly in the beginning of the video. Let me know what you think.
Here’s the second of my YouTube “vaudios,” as I like to call my videos that are really audio stories. Living in Infamy is set in a future when fossil fuels are banned. The captain of a US Navy destroyer, plagued by guilt over a friendly-fire incident, hunts a dangerous carbon smuggler and gets help from a disgraced, dead relative. Carbon Run Stories are a series of short stories in text and audio set in a world wracked by climate change. You can also listen to the story on SoundCloud.
Let me know what you think.
In a future decade when fixing the environment is the world’s top priority, an elderly homeowner must decide whether to fight a citation that might mean the loss of her home.
I’ve been experimenting with alternate ways to present my fiction, and I’ve created what I call a “vaudio.” It’s intended for listening more than viewing, while offering a way for me to reach the huge YouTube audience with something unique. Others have tried an audio track with an image, but what I’ve seen on YouTube uses a single still image.
For Zillah Harmonia, in which roses play a prominent role, I took a brief video of a rose in my neighborhood with my smartphone, downloaded it to my laptop, and combined the video with the MP3 file I built for SoundCloud. Using Adobe Premiere Elements, I added the “facet” special effect to soften the image, slowed the original image down by 75 percent, put in a couple of simple titles, and voilà, a vaudio.
Are you trying anything like this? Let me know what you think of my experiment. I’ll be posting more of these soon.
Not sure if I’m carefully weighing my options or being indecisive.
I’m religious about my work habits. I set aside two hours a day for writing only. I decide what I’ll work on and do that thing until it’s done or the two hours are up. I’ll add 15 minutes here, cut 15 minutes there, work on a lower priority item if I finish the high priority task, that sort of thing, but the core principle is like a rock. As a writer with only a few fiction credits, this helps me feel that I’m moving forward.
There’s one point where my little method fails. When I’m between major projects, I’m all sixes and sevens. I’m uncertain what to do with myself. Start a new project? Tinker with an old project? Get a real job?
Take the current moment. On Saturday, I finished a major revision for City of Ice and Dreams, the second novel in my as-yet-unpublished Carbon Run series. I’ve incorporated suggestions from my editor, John Paine, and a half-dozen beta readers. I’ve worked on it an average of five or six days a week for half a year or more. It’s consumed much of my waking life. I capped this portion of the project by writing a synopsis and a template query letter to agents and publishers. I’m working to push this project out of the nest, if anyone will have it.
Now what? Continue reading
This spring, I took a short story writing class through Hugo House, a Seattle non-profit dedicated to teaching and promoting poetry and literature. I wrote two stories during the eight-week class, and I’ve produced an audio version of one of them, “Zillah Harmonia“. In a future decade when fixing the environment is the world’s top priority, an elderly homeowner must decide whether to fight a citation that might mean the loss of her home. The story is told in the Carbon Run world, which I’ve created in three yet-to-be-published novels. Let me know what you think.
BTW, I’ll publish an audio version of the second story, titled “Living in Infamy,” later this summer.
Audio equipment I use for recording short stories.
I thought I’d share my equipment and software setup for my audio storytelling project to satisfy all the gear heads and hope-to-be sound jockeys embarking on the great audio publishing journey. My gear is fairly minimal for pro-sounding results, but my equipment is not required to put your toe in the water. In the most elemental setup, you can record your voice via your laptop or phone mic and do some basic editing in any number of lightweight editing software packages. But if you want credible, well-crafted sound, upgrading to relatively inexpensive pro equipment is the way to go. Here’s the list, referencing the photo above. You can purchase most, if not all, this equipment in professional audio catalogs, such as Broadcast Supply and Guitar Center, as well as Amazon.
TASCAM DR-40 Linear PCM Recorder ($169) – This is one step up from a basic digital audio recorder marketed to musicians, but excellent for voice recording. The audio is recorded to an MPG or WAV file to an SD card for easy transfer to a work station for editing. I purchased it primarily because of its ability to take XLR connectors from a robust standard microphone cable. Take note of the silvery things at the top. That’s actually a stereo condenser microphone, which is fine for music demos and voice in a very quiet environment. I prefer a different mic, explained later in this post. Continue reading
I’ve been inspired by fellow writers, particularly my friend Ramona Ridgewell, to experiment with making my short stories available online as audio readings. It’s sort of a no-brainer, given my background in radio and skills in audio production, and I’ve been thinking about it for a long time as a way to promote myself and (hopefully) upcoming novels. I’m using the SoundCloud audio distribution service.
My first audio story (the word “audiobook” doesn’t seem to fit) is called “A War Beyond War, And I Am the Only Soldier.” You can download a free PDF version of the story here. Dominic de la Traversée is a young monk in a 13th century French monastery who undergoes a frightening transformation as he fights for the existence of our perceived universe. I wrote the original story in 2007, and it was published in an anthology called Satirica. The music is by Cory Gray, and it’s available at the Free Music Archive.
I’d love to know what you think of this project. I’ve got a couple more stories in my queue. Do you think I should record those as well?